Crocodile of the NileMy first work using papier maché since primary school. It was made in 1982 in about a week.It is 60 cm long constructed on a longitudinal piece of wood with wires protruding into the legs. The skin was sculptured with a plastic fork. It was painted with guache (which most danes prefer to call "tempera") and lacquered. |
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Flying reptile - pterandon, Cretaceous , 90 mill. years agoI made this one in 1983 on a skeleton of bamboo. I was lucky to find two curved sticks for the long finger of the wings. The other fingers are made from pipe cleaners (not a great success). Were I to build another one its breast musculature would be stronger. The wingspan is 163 cm. Painted with guache and lacquered. |
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Mummified handA rather macabre thing in natural size (inspired by a short story by William Fryer Harvey: The Hand ) It is built on a wire skeleton soldered together. The veins on the back are strings of light blue cotton placed side by side. The nails are made of smooth drawing papier pressed into shape when wet. The skin is toilet paper that produce a wrinkled surface. It was painted with guache, dirt "under" the nails was drawn with a pencil and the figure was coated with schellac (not to glossy). Around 1985. |
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Butterfly - Agrias sardanapalusWing span 85 cm. It is not a complete success (the body is not right and the wings are to weak) The head was made using another technique. It was modelled in plasticine and covered with very narrow strips of tissue paper. When dry the plasticine was removed from the neck.The head was coated with gesso (this time from PVA-glue and chalk) and dots representing the individual ommatidia were added. The antennae are partly burned pipe cleaners with a tip from gesso. Made around 1985-1986. |
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Duck-billed lizard - anatosaurus
132 cm high. This dinosauer
was built upon a skeleton looking a little like the real skeleton. The
body was then built from crumbled papers and strips of newspaper until
the shape was good. Then it was coated with a thick layer of pulp in wich
I modelled various wrinkles and scales. Bony nodes were added to the skin
of the back. Its claws, a sort of hoofs, were cut from wood (otherwise
the might easily break). The head was not mounted until late in the process
so as to make working on the head easy (I could sit on a chair). Then the
neck was finished. Working on the body implied sitting on my
knees or lying on my back for hours.
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Ichthyosaurus
This model was built in 1993 - 94. It is 112 cm long.
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Cacops - a small amphibian from Lower Permian, 220 mill. years agoThis model is only 35 cm long, its natural size (I am running out of space in my apartment). The skeleton was made from wire and cardboard. The feet were cut from bone (don't throw out the bones when making soup). Toilet paper makes a nice skin. Bony nodes (made from papier maché, not bone) were added. |
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Archaeopteryx - Jurassic, 150 mill. years agoThis jurassic bird, Archaeopteryx Litografica, is my latest product (2000). It is in natural size, somewhat like a longlegged pigeon. It is remarkable by having teeth and clawy fingers. The bird lacks a sternum which might have reduced its power of flight.The model is built on a skeleton of wire with a plug of wood for the hip and another for the shoulder parts (you can easily glue the wire parts into small holes in the wood). Legs and fingers were modelled in Cernit, but on a skeleton of wire. Otherwise they would bend or break. The claws were cut out of horn using a difference in colouration to make them look real. Its teeth and jaws are cut from bone. Teeth of cernit would break even before hardening. The big feathers are cut from drawing papir. Since the time of photography it has been mounted on a proper wooden plate. |
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Shrunken headThe tsantsa (shrunken head) was made on a mould of plasticine. It was covered with a few layers of paper. The paper layer was cut open when dry and the mould removed. The two halves where then reassembled, covered with toilet paper and painted. Some string and pieces of fur completed the work. The ears were cast in a plaster mould. Their shape had to be somewhat simplified. |
I do not intend to write a book on papier maché, but I would like to recommend one: The art and craft of papier mâché by Juliet Bawden. It contains recipies and detailed descriptions on the most familiar techniques. Had I known this book before I could have spared myself from a lot of trouble and experiments.
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(c) Ditlev V. Petersen/Potemkin 2000 |